Origami Metal Sculpture
by Bruce Keller
permanent metal origami sculpture created from stainless steel
for homes and offices -- indoors or outdoors -- in your tea garden -- next to your koi pond
http://www.origamisculpture.com
Origami Crane Metal Sculptures at Longwood Gardens' East Conservatory -- 6' tall
Click for more photos of the large cranes at Longwood Gardens.
Click for photos of two large cranes in progress.
Click for photos of two small cranes in progress.
(also see Contact Info and Prices)
| Cranes by the Little Pond |
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| Traditional Crane on the Deck |
| Swan set at Sunrise |
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| Traditional Crane |
| Cranes in the yard |
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| Standing Cranes |
Origami in the Garden! Standing Crane -- 32" tall
info: contact info and prices
Origami sculptures inspired by folds from:
All About Origami by Isao Honda. Toto Bunka Co Ltd
The World of Origami by Isao Honda. Japan Publications Trading Co ISBN 0-87040-383-4
Prehistoric Origami by John Montroll. Dover Publications, Inc ISBN 1-486-26588-9
Creative Origami by Kunihiko Kasahara. Japan Publications, Inc ISBN 0-87040-411-3
Other origami books I have and enjoy:
Beautiful Origami by Zulal Ayture-Scheele. Sterling Publishing Co ISBN 0-8069-7382-X
The New Origami by Steve & Megumi Biddle. St. Martin's Press ISBN 0-312-08037-9
Origami Sea Life by John Montroll and Robert Lang. ISBN 1-486-26765-2
Origami from Angelfish to Zen by Peter Engel. ISBN 0-486-28138-8
Origami for the Enthusiast by John Montroll. ISBN 0-486-23799-0
Origami From Wikipedia, the free encyclopedia The folding of an Origami crane Origami (from ori meaning "folding", and kami meaning "paper"; kami changes to gami due to rendaku) is the traditional Japanese art of paper folding, which started in the 17th century AD at the latest and was popularized outside of Japan in the mid-1900s. It has since then evolved into a modern art form. The goal of this art is to transform a flat sheet of material into a finished sculpture through folding and sculpting techniques, and as such the use of cuts or glue are not considered to be origami. Paper cutting and gluing is usually considered kirigami. The number of basic origami folds is small, but they can be combined in a variety of ways to make intricate designs. The best known origami model is probably the Japanese paper crane. In general, these designs begin with a square sheet of paper whose sides may be different colors or prints. Traditional Japanese origami, which has been practiced since the Edo era (1603-1867), has often been less strict about these conventions, sometimes cutting the paper or using nonsquare shapes to start with. The principles of origami are also being used in stents, packaging and other engineering structures. History Main article: History of origami Swan by Akira Yoshizawa, the father of modern origami techniques. Japanese school children dedicate their contribution of Thousand origami cranes at the Sadako Sasaki memorial in Hiroshima. There is much speculation about the origin of Origami. While Japan seems to have had the most extensive tradition, there is evidence of an independent tradition of paperfolding in China, as well as in Germany, Italy and Spain among other places. However, because of the problems associated with preserving origami, there is very little direct evidence of its age or origins, aside from references in published material. In China, traditional funerals include burning folded paper, most often representations of gold nuggets (yuanbao). It is not known when this practice started, but it seems to have become popular during the Sung Dynasty (905-1125 CE).[2] The paper folding has typically been of objects like dishes, hats or boats rather than animals or flowers.[3] The earliest evidence of paperfolding in Europe is a picture of a small paper boat in Tractatus de sphaera mundi from 1490. There is also evidence of a cut and folded paper box from 1440.[4] It is probable paperfolding in the west originated with the Moors much earlier,[5] it is not known if it was independently discovered or knowledge of origami came along the silk route. In Japan, the earliest unambiguous reference to a paper model is in a short poem by Ihara Saikaku in 1680 which describes paper butterflies in a dream.[6] Origami butterflies were used during the celebration of Shinto weddings to represent the bride and groom, so paperfolding had already become a significant aspect of Japanese ceremony by the Heian period (794-1185) of Japanese history, enough that the reference in this poem would be recognized. Samurai warriors would exchange gifts adorned with noshi, a sort of good luck token made of folded strips of paper. In the early 1900s, Akira Yoshizawa, Kosho Uchiyama, and others began creating and recording original origami works. Akira Yoshizawa in particular was responsible for a number of innovations, such as wet-folding and the Yoshizawa-Randlett diagramming system, and his work inspired a renaissance of the art form.[7] During the 1980s a number of folders started systematically studying the mathematical properties of folded forms, which led to a steady increase in the complexity of origami models, which continued well into the 1990s, after which some designers started returning to simpler forms.[8] [edit] Techniques and materials [edit] Techniques Main article: Yoshizawa-Randlett system Many origami books begin with a description of basic origami techniques which are used to construct the models. These include simple diagrams of basic folds like valley and mountain folds, pleats, reverse folds, squash folds, and sinks. There are also standard named bases which are used in a wide variety of models, for instance the bird base is an intermediate stage in the construction of the flapping bird.[9] [edit] Origami paper Main article: Origami paper crane and papers of the same size used to fold it Almost any laminar material can be used for folding; the only requirement is that it should hold a crease. Origami paper, often referred to as "kami" (Japanese for paper), is sold in prepackaged squares of various sizes ranging from 2.5 cm to 25 cm or more. It is commonly colored on one side and white on the other; however, dual coloured and patterned versions exist and can be used effectively for color-changed models. Origami paper weighs slightly less than copy paper, making it suitable for a wider range of models. Normal copy paper with weights of 70-90 g/m2 can be used for simple folds, such as the crane and waterbomb. Heavier weight papers of (19-24&nb 100 g/m2 (approx. 25 lb) or more can be wet-folded. This technique allows for a more rounded sculpting of the model, which becomes rigid and sturdy when it is dry. Foil-backed paper, just as its name implies, is a sheet of thin foil glued to a sheet of thin paper. Related to this is tissue foil, which is made by gluing a thin piece of tissue paper to kitchen aluminium foil. A second piece of tissue can be glued onto the reverse side to produce a tissue/foil/tissue sandwich. Foil-backed paper is available commercially, but not tissue foil; it must be handmade. Both types of foil materials are suitable for complex models. Washi is the traditional origami paper used in Japan. Washi is generally tougher than ordinary paper made from wood pulp, and is used in many traditional arts. Washi is commonly made using fibres from the bark of the gampi tree, the mitsumata shrub (Edgeworthia papyrifera), or the paper mulberry but also can be made using bamboo, hemp, rice, and wheat. Artisan papers such as unryu, lokta, hanji, gampi, kozo, saa, and abaca have long fibres and are often extremely strong. As these papers are floppy to start with, they are often backcoated or resized with methylcellulose or wheat paste before folding. Also, these papers are extremely thin and compressible, allowing for thin, narrowed limbs as in the case of insect models. Paper money from various countries is also popular to create origami with; this is known variously as Dollar Origami, Orikane, and Money Origami. Tools It is common to fold using a flat surface but some folders like doing it in the air with no tools especially when displaying the folding. Many folders believe no tool should be used when folding. However a couple of tools can help especially with the more complex models. For instance a bone folder allows sharp creases to be made in the paper easily, paper clips can act as extra pairs of fingers, and tweezers can be used to make small folds. When making complex models from origami crease patterns, it can help to use a ruler and ballpoint embosser to score the creases. Completed models can be sprayed so they keep their shape better, and of course a spray is needed when wet folding. Types of origami Action origami Origami not only covers still-life, there are also moving objects; Origami can move in clever ways. Action origami includes origami that flies, requires inflation to complete, or, when complete, uses the kinetic energy of a person's hands, applied at a certain region on the model, to move another flap or limb. Some argue that, strictly speaking, only the latter is really "recognized" as action origami. Action origami, first appearing with the traditional Japanese flapping bird, is quite common. One example is Robert Lang's instrumentalists; when the figures' heads are pulled away from their bodies, their hands will move, resembling the playing of music. [edit] Modular origami A stellated icosahedron made from custom papers Modular origami consists of putting a number of similar pieces together to form a complete model. Normally the individual pieces are simple but the final assembly may be tricky. Many of the modular origami models are decorative balls like kusudama, the technique differs though in that kusudama allows the pieces to be put together using thread or glue. Chinese paper folding includes a style called 3D origami where large numbers of pieces are put together to make elaborate models. Sometimes paper money is used for the modules. This style originated from some Chinese refugees while they were detained in America and is also called Golden Venture folding from the ship they came on. Wet-folding is an origami technique for producing models with gentle curves rather than geometric straight folds and flat surfaces. The paper is dampened so it can be moulded easily, the final model keeps its shape when it dries. It can be used, for instance, to produce very natural looking animal models. Size, an adhesive that is crisp and hard when dry, but dissolves in water when wet and becoming soft and flexible, is often applied to the paper either at the pulp stage while the paper is being formed, or on the surface of a ready sheet of paper. The latter method is called external sizing and most commonly uses Methylcellulose, or MC, paste, or various plant starches. Pureland origami is origami with the restriction that only one fold may be done at a time, more complex folds like reverse folds are not allowed, and all folds have straightforward locations. It was developed by John Smith in the 1970s to help inexperienced folders or those with limited motor skills. Some designers also like the challenge of creating good models within the very strict constraints. Origami Tessellations This branch of origami is one that has grown in popularity recently. Tessellation refers to a collection of figures fill a plane with no gaps or overlaps. In origami tessellations, pleats are used to connect molecules such as twist folds together in a repeating fashion. During the 1960s, Shuzo Fujimoto was the first to explore twist fold tessellations in any systematic way, coming up with dozens of patterns and establishing the genre in the origami mainstream. Around the same time period, Ron Resch patented some tessellation patterns as part of his explorations into kinetic sculpture and developable surfaces, although his work was not known by the origami community until the 1980s. Chris Palmer is an artist who has extensively explored tessellations after seeing the Zilij patterns in the Alhambra, and has found ways to create detailed origami tessellations out of silk. Robert Lang and Alex Bateman are two designers who use computer programs to create origami tessellations. The first American book on origami tessellations was just published by Eric Gjerde and the field has been expanding rapidly. There are numerous origami tessellation artists including Chris Palmer (U.S.), Eric Gjerde (U.S.), Polly Verity (Scotland), Joel Cooper (U.S.), Christine Edison (U.S.), Ray Schamp (U.S.), Roberto Gretter (Italy), Goran Konjevod (U.S.),and Christiane Bettens (Switzerland) that are showing works that are both geometric and representational. [edit] Kirigami Main article: Kirigami Kirigami is a Japanese term for paper cutting. Cutting was often used in traditional Japanese origami, but modern innovations in technique have made the use of cuts unnecessary. Most origami designers no longer consider models with cuts to be origami, instead using the term Kirigami to describe them. This change in attitude occurred during the 1960s and 70s, so early origami books often use cuts, but for the most part they have disappeared from the modern origami repertoire; most modern books don't even mention cutting. Technical origami, also known as origami sekkei, is a field of origami that has developed almost hand-in-hand with the field of mathematical origami. In the early days of origami, development of new designs was largely a mix of trial-and-error, luck and serendipity. With advances in origami mathematics however, the basic structure of a new origami model can be theoretically plotted out on paper before any actual folding even occurs. This method of origami design was developed by Robert Lang, Meguro Toshiyuki and others, and allows for the creation of extremely complex multi-limbed models such as many-legged centipedes, human figures with a full complement of fingers and toes, and the like. The main starting point for such technical designs is the crease pattern (often abbreviated as CP), which is essentially the layout of the creases required to form the final model. Although not intended as a substitute for diagrams, folding from crease patterns is starting to gain in popularity, partly because of the challenge of being able to 'crack' the pattern, and also partly because the crease pattern is often the only resource available to fold a given model, should the designer choose not to produce diagrams. Still, there are many cases in which designers wish to sequence the steps of their models but lack the means to design clear diagrams. Such origamists occasionally resort to the Sequenced Crease Pattern (abbreviated as SCP) which is a set of crease patterns showing the creases up to each respective fold. The SCP eliminates the need for diagramming programs or artistic ability while maintaining the step-by-step process for other folders to see. Another name for the Sequenced Crease Pattern is the Progressive Crease Pattern (PCP). Paradoxically enough, when origami designers come up with a crease pattern for a new design, the majority of the smaller creases are relatively unimportant and added only towards the completion of the crease pattern. What is more important is the allocation of regions of the paper and how these are mapped to the structure of the object being designed. For a specific class of origami bases known as 'uniaxial bases', the pattern of allocations is referred to as the 'circle-packing'. Using optimization algorithms, a circle-packing figure can be computed for any uniaxial base of arbitrary complexity. Once this figure is computed, the creases which are then used to obtain the base structure can be added. This is not a unique mathematical process, hence it is possible for two designs to have the same circle-packing, and yet different crease pattern structures. As a circle encloses the minimum amount of area for a given perimeter, circle packing allows for maximum efficiency in terms of paper usage. However, other polygonal shapes can be used to solve the packing problem as well. The use of polygonal shapes other than circles is often motivated by the desire to find easily locatable creases (such as multiples of 22.5 degrees) and hence an easier folding sequence as well. One popular offshoot of the circle packing method is box-pleating, where squares are used instead of circles. As a result, the crease pattern that arises from this method contains only 45 and 90 degree angles, which makes for easier folding. Text is available under the Creative Commons Attribution-ShareAlike License; additional terms may apply. See Terms of use for details.http://en.wikipedia.org/wiki/Welding
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Weling Processes One of the most common types of arc welding is shielded metal arc welding (SMAW);[19] it is also known as manual metal arc welding (MMA) or stick welding. Electric current is used to strike an arc between the base material and consumable electrode rod, which is made of steel and is covered with a flux that protects the weld area from oxidation and contamination by producing carbon dioxide (CO2) gas during the welding process. The electrode core itself acts as filler material, making a separate filler unnecessary.[19] Shielded metal arc welding The process is versatile and can be performed with relatively inexpensive equipment, making it well suited to shop jobs and field work.[19][20] An operator can become reasonably proficient with a modest amount of training and can achieve mastery with experience. Weld times are rather slow, since the consumable electrodes must be frequently replaced and because slag, the residue from the flux, must be chipped away after welding.[19] Furthermore, the process is generally limited to welding ferrous materials, though special electrodes have made possible the welding of cast iron, nickel, aluminum, copper, and other metals.[20] Gas metal arc welding (GMAW), also known as metal inert gas or MIG welding, is a semi-automatic or automatic process that uses a continuous wire feed as an electrode and an inert or semi-inert gas mixture to protect the weld from contamination. Since the electrode is continuous, welding speeds are greater for GMAW than for SMAW.[21] A related process, flux-cored arc welding (FCAW), uses similar equipment but uses wire consisting of a steel electrode surrounding a powder fill material. This cored wire is more expensive than the standard solid wire and can generate fumes and/or slag, but it permits even higher welding speed and greater metal penetration.[22] Gas tungsten arc welding (GTAW), or tungsten inert gas (TIG) welding, is a manual welding process that uses a nonconsumable tungsten electrode, an inert or semi-inert gas mixture, and a separate filler material.[23] Especially useful for welding thin materials, this method is characterized by a stable arc and high quality welds, but it requires significant operator skill and can only be accomplished at relatively low speeds.[23] GTAW can be used on nearly all weldable metals, though it is most often applied to stainless steel and light metals. It is often used when quality welds are extremely important, such as in bicycle, aircraft and naval applications.[23] A related process, plasma arc welding, also uses a tungsten electrode but uses plasma gas to make the arc. The arc is more concentrated than the GTAW arc, making transverse control more critical and thus generally restricting the technique to a mechanized process. Because of its stable current, the method can be used on a wider range of material thicknesses than can the GTAW process and it is much faster. It can be applied to all of the same materials as GTAW except magnesium, and automated welding of stainless steel is one important application of the process. A variation of the process is plasma cutting, an efficient steel cutting process.[24] Submerged arc welding (SAW) is a high-productivity welding method in which the arc is struck beneath a covering layer of flux. This increases arc quality, since contaminants in the atmosphere are blocked by the flux. The slag that forms on the weld generally comes off by itself, and combined with the use of a continuous wire feed, the weld deposition rate is high. Working conditions are much improved over other arc welding processes, since the flux hides the arc and almost no smoke is produced. The process is commonly used in industry, especially for large products and in the manufacture of welded pressure vessels.[25] Other arc welding processes include atomic hydrogen welding, electroslag welding, electrogas welding, and stud arc welding.[26]






